27 January – 26 April 2015
Museum of Contemporary Art Metelkova, Ljubljana
The New World Summit is an artistic and political organization founded by artist Jonas Staal that develops “parliaments” for unacknowledged states, stateless and blacklisted political groups. The members from the New World Summit together collaborate in creating temporary platforms all around the world in art institutions, theaters and public spaces to tell the histories of stateless political struggle banned from the existing political order.
The New World Summit claims to redefine the project of democracy – the unrestricted representation of all voices – through the space of art. Developed in the age of the War on Terror, the summits that took place so far in Berlin (Germany), Leiden (the Netherlands), Kochi (India) and Brussels (Belgium) focused largely on organizations confronted with modern day politics of blacklisting, such as the Basque Independence Movement, the National Democratic Front of the Philippines, the Kurdish Women Movement, the National Liberation Movement of Azawad and the Oromo Liberation Front.
In a period of two years the New World Summit effectively built a network of representation for dozens of stateless political groups, created collaborations with both art and diplomatic institutions, and founded its own school, the New World Academy, with BAK, basis voor actuele kunst, Utrecht, which facilitates collaborations between artists, students and stateless political organizations.
The title of this first overview of the work of the New World Summit refers to two fundamental aspects of the organization. On one hand, it refers to the role of art in creating alternative political platforms through new visual, architectural and choreographical models in the form of parliaments in which stateless political groups can speak publically. On the other hand, it also refers to the role of art within stateless political groups.
Art of the Stateless State exhibited the architectural models and designs of the New World Summit as well as video documentation of several of its speakers. Further, the exhibition gave an overview of the role of art in representing unacknowledged states through contributions of artists, writers and theorists engaged in stateless political struggle, such as the role of protest puppetry in creating alternative people’s trials in the Philippines, and the role of art in the creation and representation of the new state of Azawad (northern-Mali).
With contributions by Lisa Ito (theorist, Concerned Artists of the Philippines), Moussa Ag Assarid (writer, National Liberation Movement of Azawad) and Mazou Ibrahim Touré (Artist Association of Azawad).
The exhibition was curated by Bojana Piškur.
More information: http://www.mp-lj.si/